Poems for Passion Week: Perspectives and Choices

The Denial of Saint Peter, an oil-on-canvas painting by Gerard Seghers, dating to around 1620–1625 and now held by the North Carolina Museum of Art.

The Denial of Saint Peter, an oil-on-canvas painting by Gerard Seghers, dating to around 1620–1625 and now held by the North Carolina Museum of Art.

The poems below represent various responses by several of those who were a part of the drama of Passion Week.  Some were involved through long association, others seemingly by accident, but all by God’s design.  We have a range of responses: jaded cynicism, desperate guilt, cool hypocrisy, stubborn self-will, perplexed or abashed enlightenment.  All of the speakers’ lives have been profoundly changed by their encounter with Jesus, but whether for good or ill is being determined by their own choices.  And as we overhear their thoughts, we find that we, too, are challenged to examine our responses to the suffering Christ, and this process is reflected in the last poem of the set, “The Final Step.”

 

COCK-CROWING

("And the Lord turned and looked at Peter.  And Peter remembered the Lord's words . . . ."   Luke 22.61

 

Grey dawn                              

Gone,                                     

But day                                   

Still waits.                               

Cock-crowing                         

Flowing                                   

Flashing                                 

Tearing                                   

Through anguished heart.           

Part                                        

Of me                                     

Is dead--                                 

The thread                              

Of boasting, knowing,             

Throwing words about            

Is snapped,

And dangling ends ensnare the dawn.

Dark my heart since dawn

And dark the curtain drawn

Across my soul

By fear which stole

My light away.

But day must come.

The One who prophesied the broken thread

And gazed on new-made shreds

Can knit my soul and turn

Cock's call to Light indeed.

It needs my Master's face

To make cock-crowing

Both breaking

And making

Of dawn's first rays.

 

 

A MATTER OF CONSCIENCE

(Matt. 27:1-10)

 

They were exceedingly careful

In handling blood-money;

They picked it up gingerly,

And debated what,

In conscience,

Could be done

With the price of another man's life.

They provided

For the burial of the poor

With the rejected silver,

Then busily turned

To the murder

Of the man it had bought.

 

SON OF PERDITION

(Matt. 27:3-5)

 

Did all the powers conspire

To make me plant that kiss?

And why did what He sowed among the Twelve

Bear bitter fruit in me alone?

I was called and sanctified

And given power to exorcise—

Even held the purse for all the rest.

He alone could see the secret fires

That burned my soul away,

And yet He left me to my course

And urged me from His presence

In the Upper Room.

My doom is His to bear as well;

This day we meet in hell.

He let himself be killed,

Poured out the ointment

Meant as alms for all,

While I, at least, have

Dared to test my worth

And act my will.

Even now,

When emptiness engulfs me,

I cannot be still

Beneath the scourge of God;

I shall die on a tree

Of my own devising.

 

 

PILATE'S QUANDARY

(John 19:4-16; Matt. 27:24)

 

The gods lurk everywhere,

Even, perhaps,

In this wretched Nazarene!

How can I judge the judgment

Of this world

On one whose very presence

Scorns the power of death?

The breath of other-worldly royalty

Stirs upon his lips

And blows my threats away.

 

The people shout for blood

And wait upon my word.

Their guilt is greater--

So he said--

But mine is great enough,

And leaves no room

For subtle sophistry.

If "truth" has brought him here,

Then "truth" will have to save him--

 

But not through me.

Long ago I banked the fire of truth

That I might not be consumed.

The open flame is in his eyes,

And brooks no compromise.

 

I turn my face

And call for a basin

Of lukewarm water.

  

Simon of Cyrene Takes the Cross

(Luke 23:26)

 

But I was only looking on!

No lover of this miserable Nazarene,

Who pushed his truth too far

And tempted power to kill.

The cross he bears

Is self-inflicted shame and pain.

I have no part in this

Except conscripted brawn!

 

--Heavier than it looks;

A burden more than wood.

Amazing

That he bore the thing this far,

And carries still

A weight He cannot share.

 

Nicodemus, Post Mortem

(John 3:1-21; 7:45-52; 19:38-42)

 

His words are done, and now He rests,

A fragrant corpse in a rich man's tomb.

Lifted up, indeed—but are we healed?

The night He chided me for darkened mind

Is not behind me yet,

For this death no more

Than second birth I grasp.

How can earth receive

A body so unlike itself?

Not spice nor worthy grave

Can honor Him, nor rescue us,

But only words of life I heard

When cowardly I went by night.

 

No words now—but pregnant death!

That brings us to the womb again

And begs our souls to breathe anew

The air His Spirit stirred!

Both birth and death are buried now

In the Word that does not die.

Touching Thomas

(John 20:1-29)

 

Why should I have touched His wounds,

Who asked a measure more than those

Who only saw, and made His peace their joy?

Still others, seeing not, will have His touch.

And I, who walked with Him and shared

A thousand days of common ground,

But ran away when He was taken off

To bear the wounds I now have touched--

These wretched hands have felt the anguish of

The wounds He took for me.

Little did I know that what I asked

Was sharing in His pain.

Yet in his love for me, He let

My probing hands renew the desecrating

Thrust of nails and spear;

And now I know that all along

His sufferance of our selfish, grasping fingers,

Seeking only fleshly touch,

Was of a piece with baring all His wounds.

How far He had to reach

To let me touch His side!

 

THE FINAL STEP

(Mark 14: 32-42)

 

I have slept in Gethsemane,         

Lacking the sense

Of immanent pain                        

My Master bears.                         

His sorrow                                    

Has been my pillow,                     

And I have slumbered       

In the shadow                                         

Of a dying God.                            

Because I cannot look upon         

The final step that Love must walk,  

He kneels alone,                                      

And trembling

Takes the proffered cup

For Him and me.

 

 "Wake up!" He says;         

"Though you could not watch with me—

Though you could not

Embrace my task—

I have met my fear alone,

To seal the bonds of brotherhood,

That we might live at one."

 


Elton_Higgs+(1).jpg

Dr. Elton Higgs was a faculty member in the English department of the University of Michigan-Dearborn from 1965-2001. Having retired from UM-D as Prof. of English in 2001, he now lives with his wife in Jackson, MI. He has published scholarly articles on Chaucer, Langland, the Pearl Poet, Shakespeare, and Milton. Recently, Dr. Higgs has self-published a collection of his poetry called Probing Eyes: Poems of a Lifetime, 1959-2019, as well as a book inspired by The Screwtape Letters, called The Ichabod Letters, available as an e-book from Moral Apologetics. (Ed.: Dr. Higgs was the most important mentor during undergrad for the creator of this website, and his influence was inestimable.

Elton Higgs

Dr. Elton Higgs was a faculty member in the English department of the University of Michigan-Dearborn from 1965-2001. Having retired from UM-D as Prof. of English in 2001, he now lives with his wife and adult daughter in Jackson, MI.. He has published scholarly articles on Chaucer, Langland, the Pearl Poet, Shakespeare, and Milton. His self-published Collected Poems is online at Lulu.com. He also published a couple dozen short articles in religious journals. (Ed.: Dr. Higgs was the most important mentor during undergrad for the creator of this website, and his influence was inestimable; it's thrilling to welcome this dear friend onboard.)